It is said that a picture is worth a thousand words. On the same page, if a person were to look at that same picture with some form of music playing in the background, they might find that not only are those words changing more freely, but also that the picture is starting to generate feelings within the viewer that might not be found otherwise. It is in this vein that the band Daft Punk decides to experiment, generating what some might consider a waste of time, and yet others will appreciate for long to come as a new spin on story telling, where the imaginative visuals combine with the music to form a whole new beast
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Batman is one of those characters that despite what medium he happens to be appearing in, it's gonna be a blast. Comics, novels, live action movies, animations, and even games, the Bats has a way of making people want more and enjoy getting it. This movie is actually the second part (as the title would apply) in a pair, the earlier of which I had watched some time ago before I started doing these little reviews, so I feel at least a little bit awkward when it comes to doing this one. In that respect, I'm grateful that they both feel a bit functional as stand alone things - that is to say I enjoyed this one even forgetting most of the last movie (as I have a terrible memory span). Enough about me though, you came here to learn about the movie didn't you?
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What did I just watch? From what you can gather from the box art and the blurb, you still really don't get an idea of what exactly it was that I just watched. I'm pretty sure that it was good, although it was also pretty bad, and at the very least I can say that whatever it was I enjoyed it. It has heart, it has soul, and it has taekwondo. Why don't we all step back from trying to understand that sentence and I'll get on with trying to make this a bit more understandable than it sounds already, but I will tell you that if any of you are at all familiar with how goofy 80's Far Cry: Blood Dragon was, then you might be able to make a few connections of your own.
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There's a certain charm to older movies, before everything was CG this and cookie-cutter that. Visions of the future in comparison to today seemed as though they where far more out there in relation to the times, with flying saucers and more grandiose thoughts of technology. Forbidden Planet has this charm and imaginative wealth, and it really is a nice change of pace from the modern science fiction where everything seems so functional and slightly modern. Back in the 1950's the future looked so alien .
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I'm not gonna lie to you all and say I know the source material comics of Ghost Rider all that well - yeah, I own one, but its not exactly a starter or anything like that. I have seen the first movie, which like most superhero flicks was an origin take and I thought was relatively decent (if not very goofy). I mean, for a guy that's power literally came from a pact with the devil that causes him to turn into a flaming leather-clad skeleton biker at night in the presence of evil and kill them with their own sins , it seemed maybe a little out of place (all that humor). I tell you what, the Rider at the start of this movie? Holy cow, that escalated quickly!
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The 80's are home to some of the most entertaining movies ever made. You can try to prove me wrong here, but if those movies weren't as good as I claim, why does the current generation of filmmakers find the incessant urge to "remake" said films? A glorious time when action movies were filled with cheesy one liners, explosions, and macho men and yet still friendly enough that the entire family could tune in and watch. I've been told numerous times by Netflix that I should take the time to watch this, and upon urging of my reviewing compatriot TPB, I finally got off my duff and watched it - and since I watched it I figured I'd drop off a review, because I'm nice like that.
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The third installment of the Men in Black series, this one adds in the complex theory of time travel. The aliens, the agents, the adventure and world-saving all return, but the humor feels less frequent than the first two movies - even if most of the second movie's jokes where crude puns if anything (ballchinian?). Does the tag team duo of Agent K and J suit up for another thrilling film, or is this one more ho-hum than the last?
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Usually, you watch a movie based off of a simple premise that draws you in, and normally for most people that would be a genre that matches their mood. When this film originally hit theaters, I was pretty stoked because it had been a while since I had seen a good kung fu flick and this looked like it should be a pretty good kung fu flick. I never got around to watching it in theaters, however, as almost every reliable movie-opinion friend I had that happened to have seen it elaborated to me that quite frankly it wasn't very good. Well, to quote the Dude , "That's like, your opinion man." You came here to find out my opinion though, and by the pillars of Kung Fu you are gonna get it!
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Discovers a lush planet? I sure as heck hope you aren't talking about plant life description, because I think you could find more plant life in the middle of a crowded city! Aside from a description that is slightly misleading as to the color palette you will be feasting your eyes upon for the entirety of the movie, this little guy received very little box-office presence, but was it rightfully lost in a crowd of movies or just another casualty of a nit-picky audience that refuses to enjoy something made for entertainment? You may not have some cute space-dog to guide you like the wind, but stay with me and find out.
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There has been many a Red Dawn movie made since movies started hitting the screens - but when the original first hit the screens it created something more than an underdog story. I should correct myself here I suppose, as it was nothing really all that new as far as movie history goes, but it somehow managed to evoke a whole new sense of feelings from it's audience when suddenly the cold war came down on us hard, and the world rested on the hands of a few teens and their determination. Enough about that movie though, this is a remake and all, but I feel we need to look at it on its own before we cast any judgments!
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I was a bit worried about this movie way back when I heard they were making a sequel to the pretty successful Taken , as I didn't see how they could go about making a new addition to the line without it feeling like a cop-out to try and earn more money. Well, they managed to make a mix bag here, and the end result is still an enjoyable movie. Of course, I'm sure many a person will flock to any movie with Liam Neeson, the guy is crazy good at what he does after all!
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Ever wonder where calling out points for pedestrians came from? Surely most of us as young little punks who didn't know any better at one point or another blurted something stupid like "Oh, that one's worth 20 points!" without ever realizing that what we were doing was actually a movie reference. Ah, yes, but in Paul Bartel's Death Race 2000, it's not just a stupid kid thing to say, its an actual totally legit scoring method, where women's rights activists will be glad to know that they are always worth 10 points more . The real question is, how does this little cult classic feel when watched almost 40 years later by someone who just happened to have seen remakes or never heard of it at all? Keep reading, or listening, and let me fill you in.
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In 2004, Paul W.S. Anderson took the proverbial peanut butter and jelly of two sci fi series with long running comics, novels, and even previous incredible movies and gave us a rather mediocre sandwich for our dinning pleasure. Although it wasn't by any means a terrible meal, it left a bit of a peculiar aftertaste in the mouth, one that many would call the salty flavorings of the tears of franchise lovers. We have already been over my opinions of that back here, but the more important topic is that of the sequel soon to be discussed. Is it possible that the Brothers Strause threw off the shackles of bland mediocrity as they did with the PG-13 rating, or did they feebly try and salvage what was left of a situation too scarred by its plainness to make a difference?
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Willow is one of these grandiose movies, the original "Lord of the Rings" spirit of movies (albeit one told in much less time) with plenty of heart, adventure, and daring. Clocking in at 126 minutes (roughly two hours), it weaves a wonderful tale full of interesting characters, diverse locations, and magic. Stay with me, and let me take you on an adventure through the movie that is Willow!
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Since times long forgotten, things have been better when combined - peanut butter and jelly, ham and turkey, sunny days and beaches - and movies, comics, and games have even been known to launch titles that crossover between them. Sometimes, we find out that even when we add two great things together, they come out less spectacular then we originally thought. Alien vs Predator has been around for quite some time (since 1989) and has notably done quite well in many of its comic, video game, and novel forms when Paul W.S. Anderson got the idea that it should in fact be time to combine these two great things (now having spanned to successful series of movies singularly) into one wonderful sandwich of awesome.
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